Friday, March 30, 2018

The First Musical: Preface


Sunlight spilled between gaps in the clouds, momentarily blinding me as I jogged down the steps of my building. This was the place; this is where I would find her. I didn’t know who it would be, or how long it would take, but I knew I would. A group of girls passed, giggling conspiratorially under their breath. None of them were her, I was certain. I would know when I saw her, I knew that much.
Glancing behind me at the red brick exterior, I couldn’t help but feel this was right. I had found the script—unknown to this changed world. It seemed a miracle it had been in my family all these years, that it was mine now. Soon, it would belong to the world again. They would know its magic and stand in awe at its complexity and amazing simplicity.
But not without her.
She would be the only one capable of bringing it to life. To create a spell of wonderment enveloping the audience. Without her, there was nothing but chaos; with her, she would orchestrate the chaos that brought the script to life. She would hold it together and create the world, the music, the mood…everything. She would determine the ending and how everyone interacted. Her spontaneity would spark creativity in the cast, and present the show that would never leave the audience with the same experience twice.
It was my birthright to find her.

Tuesday, March 27, 2018

Freeing Charlotte


There’s something about midnight that always makes me more sensitive to Charlotte’s presence. It may be I’m starting to feel tired at that point, or maybe it’s the witching hour that’s to blame. Every time I walk into her room, it’s as though she directs my gaze past her blue upholstered chair to the window overlooking the next building and the parking lots and trees in the distance. If I walk further into the room, I feel my gaze redirected past the warped mirror on the locked door to the window in the nook of the room; this one looks out over another building and a bicycle shack.
Neither view is inherently beautiful. Instead they are rather strange considering the hour and the emptiness of it all. The sparse street lights and bright parking lot lights make the desolateness even more apparent. Yet there is beauty in the strangeness. I’m unsure what Charlotte wants me to see, why she keeps pulling me to look out the windows. And the likelihood of Charlotte explaining it to me is slim. She isn’t much for talking.
Despite my curiosity, I never linger long. While Charlotte is a familiar and comforting presence—akin to that of an old friend—there is another in the room. This one radiates from the corner near the warped mirror, surrounding the red upholstered chair. It lives in the corner, and its presence spills across the rest of the room. Even in the middle of the day, I avoid that corner. That spirit has a tendency of wrapping around you like a giant fist, sending chills to your very center. To my knowledge, it doesn’t have a name. Unlike Charlotte, who is known across the campus, this being seems to go unnoticed by most.
I wish I could say I’m the brave sort who faces down evil with steadfast resolve. I’m not. If I’m alone in Charlotte’s attic room, I leave as soon as I feel its tendrils closing in on me, bidding Charlotte a good night. A seek of guilt grows a little more every night this happens. Guilt at not being the brave heroine I admire in books and movies. Guilt at leaving sweet Charlotte alone, again, with that sinister specter. Guilt at not being astute enough to understand what Charlotte is telling me. What is the significance of the view out each window?
But Charlotte is clever. She sees in me something I have not yet discovered. More than someone aware of her presence, she sees someone to help. Someone to finally free her soul.

Friday, March 23, 2018

Heed the Angel


“Look, don’t buy the body spray,” the blond-haired man said, taking the bottle from the youth’s hand and putting it back on the display shelf.  The scent in question was supposed to make one extremely attractive, and considering the boy’s problem with finding a date to senior prom, he was enticed.
“My mom said I could spend as much as I wanted on prom,” he argued, unsure why this man was telling him not to buy it, especially if he was supposed to be a sales associate.  Then again, he wasn’t dressed like an employee, so he was all the more suspicious.  “If I want to buy the frickin’ cologne, I’ll buy it.  Especially if it’ll get me a date to the prom.”
“Julian, it’s not a good idea, really.”
“How in the hell do you know my name?”  Then thinking about it, he decided he didn’t care to know. He just wanted the body spray, so he grabbed another bottle and started toward the registers.  “Just leave me alone.”
The man sighed and ran in front of Julian, taking the product from his hand and walking back to the display.  “Will you just listen for once?  Seriously. If I’d known you were going to be such a pain in my ass, I would have asked for the next babe that day.”
“What in the world are you talking about?” Julian, at this point, was slightly freaked out but more pissed off at having his intended purchase thwarted.
The man turned his clear blue eyes on him; he then smirked and tousled Julian’s auburn hair.  “I’ve been with you since before you were born, kid.”
Julian smacked the man’s hand from his hair, torn between intrigue and revulsion.  “I’ve never seen you before in my life.”
“Well someone’s not very observant.”
“Um…I think I’m just going to make my purchase and—”
“Die.”
“Excuse me?”
“Make your purchase and die,” the man repeated.  He crossed his arms and fixed his eyes on Julian’s.  “Look, kid, I’ve been with you since before you were born because I’m your guardian angel.  I’m probably breaking a million different rules and edicts and whatnot, but obviously you’re going to be difficult about this and since my job is to keep you living until your timely death, you haven’t left me with much choice.”
“What?  No, dude—I don’t—you know what, you need help.  That’s all there is to it.  You need some serious help.”  Reaching around the man, he grabbed another container of body spray and waved his other hand dismissively at him, scoffing.  “Angels.  Dude thinks I was born yesterday.”
The man blocked his path in an instant and said, “If you buy the cologne, the clerk is going to hit on you—”
“Perfect. Mostly chicks run the register so that could be my date to prom,” Julian said, lighting up and ideas for pick up lines running visibly behind his eyes.
“Will you listen?  You buy it, you get hit on, then you literally get hit on—by a car!”
“Crazy and dramatic.  You seriously need to go on some kind of medication, buddy. Thanks for the heads up about the chick.”  Julian walked past him, headed towards the registers, reading over the label of his soon to be purchase.
The man shook his head and carefully eyed the display.  Well, tomorrow he’d be up for reassignment.  He could pretty much guarantee that.
Wrapping his wings around him, his ordinary garb changed into his usual robes.  Staring a moment more at the display, he sighed.  He had done all he could do, hadn’t he?  He couldn’t help that his charge was thick-headed and single-minded.  Turning, he made his way invisibly to the front.
Sure enough, a panicked manager was on the phone calling for an ambulance as clerks and customers flocked to the window to see what had happened.  One in particular—a young, possibly college-aged male with long tresses—seemed especially distraught, informing a nearby coworker he had honestly thought the boy was cute and might be interested as mostly homosexual men bought that fragrance.  He hadn’t meant for him to be creeped out and run right in front of a speeding vehicle.
I warned him, the man thought, leaving the store and making his way to the site of the accident.  A man in black robes was prying Julian’s soul from the lifeless body.  Julian seemed to be giving him quite a time of things, not yet ready to let go.  But he didn’t have much of a choice with his brains leaking on the pavement.
“I tried to tell him,” the man said to the one in black.
“Yeah, I saw that,” he said, yanking on Julian’s hair and one of his arms now.  Julian’s soul was screaming and clinging desperately to his body, insisting there was a mistake and he still had to go to prom.  “Honestly, my bet was on him listening.”
“Loser had to collect?”
“Mhm.”
“That sucks.  You’ll be at this for a while it looks like.”
“Yeah, damn kid won’t give up.  Stubborn as hell.”
“Only child, lives with his mother.”
“That explains it;” the man in black dropped Julian for a moment, letting him cling to a dead corpse for a while.  “So what did you bet on?”
“That it would be a car…I was hoping for a Mercedes. Should’ve guessed it would be a truck.”  The man shook his head.  “Guess I get the brat due up for assignment tomorrow.”
“Another only child?”
“Oh, this one will be much worse.”
“Why’s that?”
“Her mom is a Kardashian.”

Tuesday, March 20, 2018

The Ballad of Dagmar Dinklenobs, Scene 6


(Lights go down on the scene. When they come back up, Ted and Edna are sitting in the living room, watching TV. Ted is flipping through the channels—only finding commercials—and trying to ignore Edna.)

Edna
I miss Dag—Big Daddy D, honey. I don’t know what to do with myself anymore. When I had him to take care of I wasn’t ever bored and now here we are watching TV together. We never watch TV together.

Ted
That’s because you always talk over everything.

Edna
I hope he’s getting enough sleep and eating well. I don’t think he ever got over sneaking snacks between meals—

Ted
Holy crap, Edna!

Edna
Ted, watch your language!

Ted
It’s Dagmar! On TV…he has his own damn commercial.

Edna
(Standing) Oh, my. This is so exciting. Turn it up, dear.

(Ted turns the volume up and they listen to the commercial advertising Dagmar’s new hit single and his upcoming tour. The sound of the ad is voiced by Dagmar and Simeon off-stage. Ad lib, ending with “available wherever music is sold.”)

Ted
I can’t believe it.

Edna
I told you to be supportive. And after all your complaining he’d never get a decent job. I bet he’ll take care of us from now on. Just watch, dear.

Ted
Edna, dear, you were right. I should have listened. (To self) Now I really wish I hadn’t disowned him.



(Lights. The end.)

Friday, March 16, 2018

The Ballad of Dagmar Dinklenobs, Scene 5


(Scene: Dinklenobs’s living room. Ted and Edna are sitting and waiting for Simeon to arrive.)

Edna
This is so exciting. Dagmar is really going to be a star.

Ted
I still don’t believe it. Just wait, this Simon fellow—

Edna
Simeon, dear. Simeon Howell.

Ted
Whatever his name is, I don’t care. This fellow, I bet, is hired by one of those candid camera shows. Just watch, they’ll give him a single and let him believe it’s being mass produced just so they can laugh at him later. Then he’ll give up on this junk and get a real job. Just like we always wanted.

Edna
(Knocking) That must be Mr. Howell. I’ll get it, dear. (Exits momentarily and returns with Simeon) Please, take a seat. Would you like anything to drink?

Simeon Howell
No thank you. I’d like to get straight to business. I want to sign your son for a single and a full CD cover. But I want to make sure you’re okay trusting me with your boy and the fame he’s going to gain.

Edna
It’s always been his dream, Mr. Howell. Of course we’re okay with it. We always knew Dagmar was destined for something great.

Simeon Howell
Mrs. Dinklenobs, if he’s going to sign, you’re going to have to stop calling him Dagmar.

Ted
She doesn’t have to do anything you say. He’s our boy, and his name is Dagmar. We’ll call him Dagmar if we want.

Simeon Howell
Mr. Dinklenobs, the studio has already decided, if he signs, they’re legally changing his name to Big Daddy D. It’s just what America wants. They don’t want a star named Dagmar. But they’ll fall in love with Big Daddy D. So you’ll have to start calling him that.

Ted
If we want to call him Dagmar we will.

Edna
Now, Ted, he is an adult now. If our little Dagmar wants to be known as Big Daddy D, we should respect his wishes.

Ted
No, Edna. We don’t have to respect anything about Dagmar. He doesn’t even pay rent. Besides, what kind of name is Big Daddy D?

Simeon Howell
An American one.

Ted
My dead body it is.

Simeon Howell
Have you heard what stars are calling their kids today?

Ted
Yeah, I have, and those aren’t names. They’re…things. America’s insane for indulging them.

Simeon Howell
Which is exactly why your son will be famous.

Edna
You hear that Ted? Famous. Our little boy, famous. He’s always dreamed about it.

Ted
He’s just lying to us, Edna. (Standing) I told you already. It’s a candid camera show. In a month, Dagmar’s gonna come home crying his eyes out when he finds out no one knows who he is. (Exits)

Edna
I’m sorry about, Ted, Mr. Howell. He’s never had much faith in Dagmar.

Simeon Howell
Big Daddy D, Mrs. Dinklenobs. But that’s fine. I’m assuming you’re okay if I give him the contract to sign, then?

Edna
Of course, Mr. Howell. Can’t he sign it now? He’s just down the hall.

Simeon Howell
That’d be just great, Mrs. Dinklenobs.

Edna
Dag—oops—Big Daddy D! Mr. Howell would like to talk with you.

Big Daddy D
(Entering, acting cool) Hey, Sim. What do you wanna talk about?

Edna
I’ll just let you two talk. (Exits)

Simeon Howell
Simeon, never Sim. Remember how I said I’d take your demo to the board? Well, they loved it.

Big Daddy D
(Hugs Simeon) Really? That’s great. When do I sign?

Simeon Howell
(Pulling a contract out of his bag) Now, right here.

Big Daddy D
This is great! (Signs contract) Thanks so much, Simeon. For everything. This is my dream.

Simeon Howell
I know, I know. (Shaking Dagmar’s hand) Welcome to the business. Now go pack. We need to be in Hollywood ASAP.

Big Daddy D
Oh, wow. Hollywood. (Exits, shouting) Mamma, I’m going to Hollywood.

Simeon Howell
(To the audience) Kids.

(Lights)

Tuesday, March 13, 2018

The Ballad of Dagmar Dinklenobs, Scenes 3 and 4


(Lights on scene: The street again. Dagmar is trying a new approach, singing Ricky Martin songs to attract attention, but his singing and playing are still dreadfully out of tune. A producer, Simeon Howell, is listening to him.)

Big Daddy D
She’ll make you take your clothes off and go dancing in the rain. She’ll make you live her crazy life but she’ll take away your pain, like a bullet to your brain. Come on! Upside, inside out. She’s livin’ la vida loca. She’ll push and pull you out, livin’ la vida loca. (Ad lib with random words and phrases.)

Simeon Howell
Did you forget the words?

Big Daddy D
(Still strumming) Of course not. I wrote the song. Ricky Martin forgot the words man.

Simeon Howell
Ricky Martin also made a fortune “forgetting the words.”

Big Daddy D
Exactly. I do the hard work, those guys screw up, and they keep all the money for it.

Simeon Howell
(Drops a twenty into the case) What else can you sing?

Big Daddy D
(Stares at the bill for a moment) I can sing anything by Backstreet Boys, N*Sync, or Ricky Martin. Plus some of my own stuff.

Simeon Howell
(Crossing arms) Very well then, woo me with a ballad.

Big Daddy D
A ballad? That’s tight. Um…( Strums a different chord, sings) She was my once in a lifetime happy ending come true. Oh, I guess I should have told her, but I thought she knew. She said I took her for granted, last thing I would do. Oh, I’ll never understand it, cuz I thought she knew…

Simeon Howell
(Clapping) I want you to record a demo for me.

Big Daddy D
What? Really? You mean it? I already have lots of demos. Oh, boy, wait ‘til I tell Mamma about this.

Simeon Howell
I think you have a very…unique talent.

Big Daddy D
Man, you’re awesome. (To self) Finally. I finally got my break!

Simeon Howell
(Reaching out to shake hands) Simeon Howell.

Big Daddy D
(Shakes) Big Daddy D. You have no idea how much this means to me.

Simeon Howell
I can imagine. You said you already have some demos?

Big Daddy D
Well, of course. I told you it was my dream.

Simeon Howell
Perfect. I’ll need you to bring me one so I can take it to the board.

Big Daddy D
The board? Is that in Hollywood? Cuz I told Mamma I wouldn’t take anything that wasn’t in Hollywood.

Simeon Howell
It’s in Hollywood. But, look, be here tomorrow with the demo (hands him a business card), and we’ll see what kind of deal I can get for you. (Exits)

Big Daddy D
Oh man oh man oh man. Wait ‘til I tell, Dad. He’ll regret ever making fun of me.

(Lights)



(Lights on scene: The board room. Simeon Howell stands at the front of the stage facing the audience. At his side is a CD player. The audience is the board.)

Simeon Howell
Ladies and gentlemen of the board, I’ve found the next big thing. This kid will make all of us rich. Just listen to him.

(Simeon starts the demo. Dagmar’s horrible voice is heard singing his original creation, “Big Daddy D”. The board members are not impressed.)

Simeon Howell
(Stopping the music) So what do you think? You don’t have to answer. I know you’re thinking he can’t sing, right? Well, that doesn’t matter. The one thing books and movies have over music is the underdog. America loves underdogs. We love people who don’t have any real talents, but still come out on top. Now, before you ask, America won’t love him because he can sing…he obviously can’t. They’ll love him because he’s an average Joe who made it. It’s inspiring. You’ll give all the kiddies and washed up folks hope they can make it, too. They’ll support him because he’s bad…and he’s pretty funny. There are a lot of people in America. Most of them can’t carry a tune in an iPod. He’s perfect. So what do you say? Do we sign him and make millions? (Someone from the audience says, “Okay.”) Fantastic! (Shakes hands of board members.) It’s been great doing business with you all. (Exits.)

(Lights)

Friday, March 9, 2018

The Ballad of Dagmar Dinklenobs, Scene 2


(Lights on scene: The Dinklenobs’s living room. There’s a few chairs, in one of which Edna Dinklenobs sits, knitting. Dagmar comes through the door, excited and brandishing his five dollar bill.)

Big Daddy D
Look, Mamma! I made some money today!

Edna
(Rises to hug her son) Oh, I’m so proud of you, Dagmar.

Big Daddy D
(Pushing her away) Now, Mamma, I told you to call me Big Daddy D. If I ever want to make it big I have to be taken seriously.

Edna
I’m sorry. I know how much you want to be successful. But don’t worry, Dagmar—

Big Daddy D
Big Daddy D, Mamma. Big Daddy D.

Edna
Someone’s going to hear you and you’ll get your break. You’re so talented. Just you wait and see. I bet there’s a big producer somewhere just waiting to sign you.

Big Daddy D
Thanks, Mamma. (Singing) Cuz Mom you always were…the perfect fan.

Ted
(Entering) Edna, throw one of my old work boots at that damned cat. I can’t stand listening to it…Oh. It’s the disgrace.

Edna
(Hands on hips) Now, Ted, I’ve told you to be supportive.

Big Daddy D
Dad, it’s Big Daddy D. Not Disgrace. And look, I brought home some money. (Holds up the five dollar bill.)

Ted
(Snatches it out of his hand) That’s mine.

Big Daddy D
But I worked hard for that.

Ted
What you do is not hard work. Besides, you’re twenty-five and still haven’t moved out.

Edna
Honey, let him keep his money. He doesn’t make a lot.

Ted
Well, if he’d get himself a decent job he would. Anything would be better than him prancing around like some sissy singing those girly man songs. We already let him drop out of college.

Big Daddy D
They’re the Backstreet Boys, N*Sync, and Ricky Martin, Dad. They’re not girly men. And I’m not a sissy. (Ted punches Dagmar in the arm. Dagmar cries to Edna.) Mamma, he hit me.

Ted
Case and point.

Edna
(Comforting Dagmar) Honey, we’ve discussed this. It’s always been Dagmar’s—

Big Daddy D
Big Daddy D, Mamma.

Edna
—His dream to be like Lance Bass. Remember?

Big Daddy D
(shivers) Ooh, Lance Bass.

Ted
He’s a pansy. Dagmar—I will not call you that ridiculous name! Dagmar, if you don’t give up this silly dream and get a job, I’m kicking you out in four weeks.

Big Daddy D
You just don’t understand. Everybody loves Lance and the boy bands—and Ricky Martin. I just wanna be loved, Dad. (Exits)

Edna
(Starts to follow but turns back) Now look what you’ve done, Ted. You’ve hurt his feelings.

Ted
You make it sound like it was that hard to do. (Pause) Say, weren’t those your pants he was wearing?

Edna
They might have been…why, yes, I believe they were.

Ted
(Shaking his head) That boy’s a disgrace to Dinklenobs everywhere. Doesn’t he know what came from the 80’s stays in the 80’s?

Edna
You’re being much too hard on him, Ted. He was still only a babe in the 80’s. How would he know that everything then was completely wrong?

Ted
You’d think he’d have figured it out when you weren’t wearing them.

Edna
True…but we never said Dagmar was the sharpest pencil in the cup.

Ted
God forbid anyone says that.

Edna
Oh, now, be nice. He’s still your son.

Ted
(Under his breath) Until I disown him.

(Lights)

Tuesday, March 6, 2018

The Ballad of Dagmar Dinklenobs, Scene 1


Dagmar (aka Big Daddy D)
25 male, wants to be a star, like N*Sync, Backstreet Boys, Ricky Martin, idolizes Lance Bass, wears his mom’s clothes from the 80’s, Mamma’s boy

Edna
55 female, Dagmar’s mom, very supportive

Ted
62 male, Dagmar’s dad, very pessimistic, thinks Dagmar should have moved out or should be paying rent, wants his son to stop dreaming

Simeon Howell
30ish male, producer who discovers Dagmar

Passerby 1-5
various ages and genders who pass Dagmar on the street and insult his singing and playing


Note: For added humor, gender swap Edna and Ted.



~*~

 (Lights on scene: The street. Dagmar (Big Daddy D) is sitting on the sidewalk with his guitar. He’s wearing 80’s clothes and taped up glasses. Before him is an open guitar case with a cardboard sign saying, “Big Daddy D: Donations Go Here.” He is singing a song by the Backstreet Boys while playing the guitar, though neither is in tune. People walk past, insulting him.)

Big Daddy D
…show me the meaning of being lonely. Is this the feeling I need to walk with? Tell me why I can’t be there where you are. There’s something missing in my heart…

Passerby 1
You’re making me deaf!

Passerby 2
Wow. You’re wonderful.

Passerby 1
(Pulling Passerby 2 away) And you’re tone deaf.

Passerby 3
(From audience) Shut up!  Get a real job.

(Passerby 4 drops a book into the guitar case. Dagmar stops and picks it up.)

Big Daddy D
A course book? From Truman State? (Shouting back at Passerby 4) The sign says donations! Not tips! (Tosses course book to the side and starts singing a new song.)  You are my fire. The one desire. Believe when I say, that I want it that way.

Passerby 4
(Returning) If I give you (digs in pocket for money) ten cents will you shut up?

Big Daddy D
(Stopping, scratching his head) I don’t know. My mamma told me not to sell myself short.

Passerby 5
(Laughing) Did she also tell you you’d make it big?

Passerby 4
A dollar, then.

Big Daddy D
I’m not sure I can do that…Mamma told me not to take things from strangers.

Passerby 4
Look, (throws a five into the case) take the five and go home. (Exits)

Big Daddy D
He was a pretty cool dude.  (Shouting after Passerby 4) Any requests? I know Ricky Martin, too. (Waits a moment, but there’s no answer. Packs up his guitar and stares at the five as he exits) Mamma’s gonna be proud of me. I’ve never brought home five bucks before.

(Lights)

Friday, March 2, 2018

A Tale of Two, Excerpt 4

Caroline Smith
152 Country Lane
Alpena, Michigan, America
August 25, 1892
Beloved Caroline,
Thank you for your letters. Thank you for remembering me. I am preparing to cross the great Atlantic Ocean so I may join you and your family in Michigan. There is no need for your father to travel such a distance to New York to retrieve me. I have more than enough for the full journey.
Mother passed shortly after you left for America, and Father passed earlier this month. Mildred was wed yesterday; it was in Father’s will for her to marry, to celebrate his death by taking vows he took years ago rather than mourn him and put it off forever. William and Mildred are wonderful together, and so happy. Looking at them makes me yearn to be near you again.
There is nothing I want here, so I have given the physical assets of my inheritance to Mildred and William as a wedding gift. Mildred wants to live in London and raise her children as we were raised in the same house, so the estate will stay in the family for some time. William would be foolish to go against her on this.
I kept the rest of my inheritance for the journey to America and to start a comfortable life there. Perhaps I will start my own business as my father did here. Mildred insists I stay a while longer; I must comply, in large part because my boat to America doesn’t depart for a week. Granted, by the time you receive this, I will be on my way.
Be sure to tell John to shape up or I’ll have to crack down on him. Tell Marie I’ll give her a story twice a day when I arrive, and thank your parents for their thoughtfulness. As for you, Caroline, I love you. I have since the day I saw you in the market. Now I’m following my heart, for it’s gone to America. I ask a favor of you: don’t promise yourself to anyone as of yet.
If I could, I would appreciate staying with your family until I have my own home. Please also tell your father that I will gladly take the farmhand job, if it’s still available, until I know what I’ll do longer-term for income. Father taught me never to fear hard work.
Oh, Meagan married in May, before Mother’s death, to a British gentleman. And she is with child, a fact of which she is very proud. She wishes Mildred to hurry and join her in expecting a child so their children can grow up together. There is never a dull moment here it seems, nor in America from the sound of your writing.
I shall hope to see you again soon. Until then, I send my love to you.

Josef Calloway
1325 Queens Avenue

London, England